Mahalo nui loa to everyone who came out for Lei Day 2018! And mahalo nui loa to our sponsors, without whose kōkua, the festival could not have happened. Hawaiʻi Tourism Authority, through the Kūkulu Ola program, was our major funder, and also is providing major funding for our classes and workshops. The Carousel of Aloha is our fiscal sponsor for 2018. Kapoho Kine Adventures and Basically Books were there in our dire need, and Ke Ola Magazine provided major promotional support, and Dinnie of Destination Hilo got the word out in Hilo and to our island visitors.
Story and pix here, and for even more photos, visit us on FaceBook!
K.T Cannon-Egar of the Friends of Liliʻuokalani Gardens and many others contributed in so many ways, Mikell Gleason, Mary Adachi, Kevan Kendrik, Laura Williams-May, and Petronila Blank, LeiManu Designs, Kau Kau Kitchen, Hawaiian Heart Woods.
Our demonstrators, Lōkahi Lomilomi, Ola Jenkins of Destination Hilo, Chris Benders and friends of Open Arms Ministry, the Hilo Orchid Society, Hilo UrbFarm, and those sharing knowledge of our environment also shared aloha for the interconnection of body, mind, and spirit all day long.
Meanwhile the Palace Theater ran vintage movies and documentaries on local lei makers all day.
Our vendors provided tasty treats and fun gifts, Anykine Won Tons and Kula Shave Ice – Yum! Not Poi Designs, Orchid Isle Traders, Lahilahi Sun-Protection Powder, Lava Paws, Nadina’s Cremes, Pakele Creations, Indigogo Designs, and Maureen’s Island Gems.
Please continue to keep them in mind when you are looking for goodies and gifts. These all are local businesses. Money spent with them circulates through the local economy, and their vendor fees help to support our festivals.
After four months of almost non-stop rain, April 30 blessed us with overcast skies and a few gently sprinkles – just enough to keep the lei from wilting. Earthquakes through the night kept us on our toes!
Lei Day dawned overcast, but the rain stayed away, giving us perfect weather. Not too hot, not too cold, a gently breeze kept it from getting muggy.
The festival opened at 9:00 am with pule (prayer) by Kahu Leifi Hao. Always gracious, she shares so generously, and it is a delight to the ear to hear her ʻŌlelo Hawaiʻi!
Last year, Kahu Leifi also shared pule at Liliʻuokalani Gardens for the Centennial of the Queen’s death. As this year a project begins to mālama Kalākaua Park, in honor of the Queen’s brother, it was felt most appropriate to ask Kahu Leifi to also pule for the Hilo Lei Day Festival.
To us, the beauty of this presentation, before the festival got “rolling,” is that it is NOT the big dramatic presentation in front of everyone for show. It was a small, personal ceremony – a kumu who carries her lineage from Uncle George Naope with grace and beauty honoring two women who embody the aloha of the lei.
Sometimes, we confuse the pageantry with the origin. The pageantry builds on the origin, but without the foundation it is hollow.
Mahalo to Kumu Meleana and her hālau for always staying true to her foundations, and providing a pā on which we stood to celebrate!
Kumu Meleana Manuel and her hālau, Ke ʻOlu Makani o Mauna Loa made a lovely lei presentation to our 2017 Floral Queen Kahōkūkauahiahionālani “Sammi” Fo, and our 2018 Floral Queen Thaliana Denise Leionaona Aipolani.
Kumu Meleana was the last alakaʻi to study under Uncle George Naʻope, and she carries on his traditional hula with grace and aloha, which can be seen in the loving faces of her haumāna.
As this year the festival fell on a Tuesday, most of the Ke ʻOlu Makani o Mauna Loa hālau members had to go to their “day jobs” after performing. Their taking time out to participate was a true gift of aloha.
Kumu Meleana also teaches and performs in Japan.
Providing musical accompaniment for Meleana and her hālau was Mr. Ben Kaili and Kapulanakēhau Tamuré.
Uncle Johnny Lum Ho was well represented by his haumana Kananiokalani Neizmen, and “Ka Uas,” a small group of women who are members of his “Gracious Ladies” pā.
Kanani was one of those who made time to come share his aloha for Hawaiʻi before heading off to work his “day job,” which meant bringing along everything he needed for hula, as well as his work attire!
Hilo Lei Day Festival coordinator Leilehua Yuen said, “We so appreciate those who honor Hawaiʻi by carrying on our cultural traditions amid the necessities of modern life!”
Ka Uas, who only use the full “Hālau Hula ka Ua Kani Lehua” inoa (name) when they are performing with Uncle Johnny, had an earlier performance at the Veteransʻ Home, so Barbara, Patty, and Melia danced later in the day.
Their beauty and aloha shone through their hula, and they were able to stay after and enjoy the festival and, with their beautiful lole hula, add to the color and festivity of the event!
Serena Massery, haumana to Kumu Leilehua Yuen, represented the Kingdom of Kauaʻi with nā hula E Hoʻi ke Aloha i Niʻihau and ʻUla Nōweo. Her kaʻi was Hoʻopuka e ka Lā ma Kahikina, and her hoʻi was Hoʻi e, Hoʻi no. Serena is working on her master’s degree in food sustainability through studying the kalo farming of Kauaʻi.
Serena also was part of the “Midnight Decorators,” helping to provide security for the displays, stage, and sound system while making lei through the night. She crafted her lei poʻo and lei ʻāʻī of tī in the hilo style to represent the maile-lau-liʻi, the small-leafed-maile of Kauaʻi. Her lei kīkepa was made by lei hili workshop students, two from Belgium who just happened to be walking by as class began. They stopped and asked what was going on, and found themselves making lei for the festival! Rather than take the lei and have to dispose of them, the travelers donated the lei back to the festival.
Another of the “Midnight Decorators” was Kiriko Redondo, also haumana to Kumu Leilehua. Kiriko represented Hawaiʻi Island with the kaʻi and hoʻi E Kuʻu Lei Lehua, and the hula Nani Haili Pō i ka Lehua.
Kiriko is an alakaʻi to Kumu Leilehua, and teaches Hawaiian culture and arts, as well as hula, in Korea.
Kiriko originally studied with Yoshiko Sensei of Yokohama. When Kiriko expressed a desire to challenge herself with further study in Hawaiʻi, Yoshiko Sensei gave her permission to move to Kumu Leilehua’s hālau in Hilo. Kiriko now travels between Korea and Hilo to pursue her studies.
Historical figures came in for a visit. Pualani Johnson reprised her role as Liliʻuokalani, The last monarch of the Hawaiian Islands. Pualani has portrayed the queen numerous times, and has steeped herself in the history and heritage of the queen.
Before and after her presentation, she strolled the park, in character, interacting with festival attendees, educating people in the most gracious manner regarding the history of the Hawaiian Islands.
Last year, during events at Liliʻuokalani Gardens, and at the Church of the Holy Apolstles, Pualani portrayed the Queen for the commemoration of the centennial of the monarch’s passing.
Spencer’s Invincibles joined us, as part of the story of an often-neglected lei – the lei manō. Spencer’s Invincibles were a Hilo militia privately funded and mustered by Thomas Spencer (portrayed by Joel Kelly) to fight in the American Civil War.
Kumu Leilehua Yuen presented the hula He Motu ta Ura, which had been used as a victory chant by Kalaniʻōpuʻu. Her Kaʻi was Hoʻopuka e ka Lā i Kai o ʻUnulau. Her hoʻi was Hoʻi e, Hoʻi no.
